Getting Ready, Never Ready, Ever Ready

Getting Ready, Never Ready, Ever Ready

Getting Ready, Never Ready, Ever Ready
Getting Ready, Never Ready, Ever Ready
Getting Ready, Never Ready, Ever Ready
Getting Ready, Never Ready, Ever Ready
Getting Ready, Never Ready, Ever Ready
Getting Ready, Never Ready, Ever Ready
Getting Ready, Never Ready, Ever Ready
Getting Ready, Never Ready, Ever Ready
Getting Ready, Never Ready, Ever Ready
Getting Ready, Never Ready, Ever Ready
Getting Ready, Never Ready, Ever Ready
Getting Ready, Never Ready, Ever Ready Getting Ready, Never Ready, Ever Ready Getting Ready, Never Ready, Ever Ready Getting Ready, Never Ready, Ever Ready Getting Ready, Never Ready, Ever Ready Getting Ready, Never Ready, Ever Ready Getting Ready, Never Ready, Ever Ready Getting Ready, Never Ready, Ever Ready Getting Ready, Never Ready, Ever Ready Getting Ready, Never Ready, Ever Ready Getting Ready, Never Ready, Ever Ready

Stills from a durational sculptural performance for film. The research for this work was made possible with a studio award from ACAVA (Association for Cultural Advancement Through Visual Art) 2002. Funded by London Arts Board and Esmee Fairbairn Foundation

Exhibited at Open Film Screening, The Whitechapel Gallery, London, 2003; Precursor, The Century Gallery, Shoreditch, London, 2003; and Experimentica 02, Chapter, Cardiff, 2002

Getting Ready, Never Ready, Ever Ready (edited and extended version, 2004) is an exploration of materialism through self-obsession, appearance and the threat of loss of self


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